Young Brunette Girl Posing At The Water Fountain

• Baroque fountains of Versailles
Beginning in 1662, King Louis XIV of France began to build a new kind of garden, the Garden à la française, or French formal garden, at the Palace of Versailles. In this garden, the fountain played a central role. He used fountains to demonstrate the power of man over nature, and to illustrate the grandeur of his rule. In the Gardens of Versailles, instead of falling naturally into a basin, water was shot into the sky, or formed into the shape of a fan or bouquet. Dancing water was combined with music and fireworks to form a grand spectacle. These fountains were the work of the descendants of Tommaso Francini, the Italian hydraulic engineer who had come to France during the time of Henry IV and built the Medici Fountain and the Fountain of Diana at Fontainebleau.
Two fountains were the centerpieces of the Gardens of Versailles, both taken from the myths about Apollo, the sun god, the emblem of Louis XIV, and both symbolizing his power. The Fontaine Latone (1668–70) designed by André Le Nôtre and sculpted byGaspard and Balthazar Marsy, represents the story of how the peasants of Lycia tormented Latona and her children, Diana and Apollo, and were punished by being turned into frogs. This was a reminder of how French peasants had abused Louis's mother, Anne of Austria, during the uprising called the Fronde in the 1650s. When the fountain is turned on, sprays of water pour down on the peasants, who are frenzied as they are transformed into creatures.
The other centerpiece of the Gardens, at the intersection of the main axes of the Gardens of Versailles, is the Bassin d'Apollon (1668–71), designed by Charles Le Brun and sculpted by Jean Baptiste Tuby. This statue shows a theme also depicted in the painted decoration in the Hall of Mirrors of the Palace of Versailles: Apollo in his chariot about to rise from the water, announced by Tritons with seashell trumpets. Historians Mary Anne Conelli and Marilyn Symmes wrote, "Designed for dramatic effect and to flatter the king, the fountain is oriented so that the Sun God rises from the west and travels east toward the chateau, in contradiction to nature."