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Brunette Girl Doing Gymnastic Exercises In The Church With Stained Glass Windows
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Many 19th-century firms failed early in the 20th century as the Gothic movement had been superseded by newer styles. At the same time there were also some interesting developments where stained glass artists took studios in shared facilities. Examples include the Glass House in London set up by Mary Lowndes and A.J. Drury and An Túr Gloine in Dublin, which was run by Sarah Purser and included artists such as Harry Clarke.
A revival occurred in the middle of the century because of the desire to restore the thousands of church windows throughout Europe, destroyed as a result of bombing during the World War II. German artists led the way. Much work of the period is mundane and often was not made by its designers but industrially produced.
Other artists sought to transform an ancient art form into a contemporary one, sometimes using only traditional techniques but often exploring the medium of glass in different ways and in combination with different materials. The use of slab glass set in concrete was another 20th-century innovation. Gemmail, a technique developed by the French artist Jean Crotti in 1936 and perfected in the 1950s, is a type of stained glass where adjacent pieces of glass are overlapped, without using lead came to join the pieces, allowing for a greater diversity and subtlety of colour. Many famous works by late 19th- and early 20th-century painters, notably Picasso, have been reproduced in gemmail. A major exponent of this technique is the German artist Walter Womacka.
Among the early well-known 20th-century artists who experimented with stained glass as an Abstract art form were Theo van Doesburg and Piet Mondrian. In the 1960s and 70s the Expressionist painter Marc Chagall produced designs for many stained glass windows that are intensely coloured and crammed with symbolic details. Important 20th-century stained glass artists include Douglas Strachan, Ervin Bossanyi, Louis Davis, Wilhelmina Geddes, Karl Parsons, Patrick Reyntiens, Ludwig Schaffrath, Johannes Shreiter, Judith Schaechter, Paul Woodroffe, Jean René Bazaine at Saint Séverin and the Loire Studio of Gabriel Loire at Chartres. The Luxus Keibel studio in Mexico specialises in domestic stained glass in both contemporary and 19th century styles. The west windows of England's Manchester Cathedral, by Tony Hollaway, are some of the most notable examples of symbolic work.
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